TrueShort

Original movies and series made for your phone.

TrueShortMay 13, 2026

Original movies and series made for your phone.

TrueShort launch preview
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B2C<500KSeedCinematicB2BGlobalAI-generatedUSVertical AIFunding announcement

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3.00
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TrueShort is a mobile streaming app that produces and distributes its own original movies and series, built vertically for the phone rather than licensed from outside studios. The app delivers bingeable short-form storytelling across true crime, romance, thriller, drama, and fantasy, including documentary series where each episode runs about 60 seconds. The pitch to founders and operators watching the AI video space is simple: instead of selling generation tools, TrueShort is using its own AI studio to write, produce, and release finished content directly to consumers. The launch marks a $12M round led by Keith Rabois at Khosla Ventures, with participation from Jeffrey Katzenberg (DreamWorks), Scott Belsky (Behance), Brian Halligan (HubSpot), and General Catalyst , alongside Ravi Nandan of A24. The capital is earmarked for hiring filmmakers, AI artists, and creative technologists to expand the slate across new genres, including a kids and family division the company has begun staffing. The investor mix, spanning a traditional animation founder, an indie film financier, and a design platform creator, signals a bet that distribution and IP, not just model quality, will define the next wave of AI entertainment. TrueShort is run by Nate Tepper, who previously founded Humans Anon and Set The Set (acquired by UnitedMasters) before starting the company in New York. The company has positioned itself as one of the fastest-growing streaming apps in the App Store, reaching the top 10 in the News category , and the launch video frames the mission around lowering the cost and credential barrier for anyone who wants to make a movie. For operators tracking how generative video moves from demo to durable product, TrueShort is a clear test of the studio model applied to phone-native, episode-length content.

Comments (8)

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Y
Yusra QadirMay 13, 2026

Katzenberg on the cap table for vertical shorts has a delicious Quibi-shaped irony to it. Hopefully the lesson sticks this time.

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Tomas PavlikMay 13, 2026

Hot take: the actual moat here is taste, not tech. Anyone can generate slop, very few can edit it into something you finish watching.

M
Min-joo ParkMay 13, 2026

Curious what the day-30 retention curve looks like before I get excited. Vertical originals tend to spike on novelty then crater once the algorithm stops feeding new viewers.

A
Adeola BanksMay 13, 2026

The launch video's first 1.5 seconds did all the work, smart cold open with the face close-up before the logo hit. Most founders bury the hook under their own name.

D
Dev GaneshMay 13, 2026

ok wait, 'hire the next generation of filmmakers' is doing a lot of work in this tweet. Are we talking staff writers rooms or three kids and a Runway subscription?

P
Prisha M.May 13, 2026

Worth noting that Bordwell's work on screen ratios suggests vertical framing genuinely changes blocking, not just cropping. If they lean into that as a constraint there's something here.

K
kara hopsMay 13, 2026

The thumbnail on the announce video has the title text fighting the subject's face for attention. Move the wordmark down 40px and it sings.

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Luca SerranoMay 13, 2026

Guitarist in Pink Roses to vertical Spielberg pipeline is a wild bio arc and I respect it.